A book you will not want to miss
“A f*king brilliant and riveting look into the journey of deception and how we psychologically accept deceit. A story that will keep you on edge of your seat yet educate you in the process. I want more and so will you.”
- Banachek, the world’s leading mindreader Not just because Banachek is one of the main characters in the book but what you will learn about fake Psychics like James Van Praagh, John Edwards and their ilk.
BUY IT NOW on Itunes This book is available for download with iBooks on your Mac or iOS device, and with iTunes on your computer. or Amazon or hardcover on Create a Space.
https://www.createspace.com/6080413 for hardcover
http://goo.gl/TkbENn for Kindle
Hits & Mrs.
Gil Godsend is the world’s greatest psychic medium.
Claudia Cox thinks he’s the world’s biggest fraud.
Once a professional skeptic, Claudia spent many years trying to expose Gil, but no one believed that the charismatic and handsome psychic could be a con artist. They would rather believe that Claudia has sour grapes because she and Gil were once lovers. Unable to reveal him to be a fraud, she moves on with her life and founds Suspicious Minds, a detective agency that catches cheating spouses. Years later, a few of Gil’s disgruntled female clients come out of the woodwork with shocking stories to tell. They beg for Claudia’s help. She convinces these grieving widows that Gil is using magic tricks to give the appearance that he’s a psychic medium and that he can’t really talk to the dead. They want revenge. With the help of famous
mentalist Banachek, Claudia masterminds plans to catch Gil in the act of cheating but each sting fails dismally. Gil comes out smelling
like roses while Claudia looks like a fool.
Will Claudia ever expose Gil as a charlatan? Maybe he really is psychic. Or is something more sinister going on behind the scenes?
November 13, 2009
Banachek is an American mentalist and skeptic. He has written numerous books and invented various magic and mentalism effects, and is often sought out by top entertainers such as David Blaine, Lance Burton, James Randi and Criss Angel. He has been the recipient of a number of awards and recognitions, including the Dave Lederman Memorial Award (Awarded for Creativity in Mentalism) and the Dunninger Memorial Award (Awarded for Distinguished Professionalism in the Performance of Mentalism), both awarded by the Psychic Entertainers Association, as well as the College Campus Novelty Act of the Year, and the Entertainer of the Year on two occasions, all awarded by the Association for the Promotion of Campus Activities. He is renowned for fooling scientists at Washington University into believing that his supposed psychic abilities were genuine during the Project Alpha hoax in the early 1980s. In 2009, he conducted a preliminary test of psychic claimant Connie Sonne’s dowsing ability for the James Randi Educational Foundation’s Million Dollar Challenge that was witnessed by hundreds in person at The Amazing Meeting 7 in Las Vegas, NV.
In this conversation with D.J. Grothe, Banachek recounts his origins as a mentalist in South Africa, including how James Randi’s books influenced the development of his worldview. He talks about his involvement helping develop Penn and Teller’s bullet catch, the current finale to their Las Vegas show. He describes his role in Project Alpha, and explores to what extent he thinks the researchers involved were aware of his and his colleague’s deceptions. He details the role that magicians and mentalists may play in informing the public about psychic and other paranormal claims, and describes the virtues of being an open-minded skeptic as opposed to a “debunker.” He talks about his role n the James Randi Educational Foundation’s Million Dollar Challenge, and recounts his preliminary testing of Connie Sonne’s dowsing ability in front of a live audience at The Amazing Meeting 7, in Las Vegas in 2009.
To listen click Here
Banachek will be touring in Spain this fall. September through October.
Sept: 13, Lisboa 14, Badajoz 15, SEI Madrid 16, La Varita, Madrid 17, As de Magia, Madrid 18, CIMAPS, Madrid 19, Jerez de la Frontera 22, CIVAC, Valencia 23, Espai Secca, (parlor/close up show), Barcelona 23, AMIC, Lecture right after the show, Barcelona 24, Mags Magic, Barcelona 25, SEI, Barcelona 26, House of Illusions, Salou afternoon 26, Reus, night 27, Pamplona 28, Santander 29, Oviedo 30, Bilbao
OCT 1, Valladolid 2, Zaragoza 3, Teatro Encantado, Madrid (close-up show) 4, Cordoba 5, Semicirculo Elche 6, La Varita, Valencia 7, Gandia 8, Almussafes 9, Mallorca
Some changes may follow.
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Criss hosts the world greatest magic!ans and performs 45 minutes of his most spectacular mind blowing illusions from Believe! Also, don’t miss the world premiere some of his newest illusions exclusively at MAGICjam. Witness what has been hailed as ‘The Magic Event Of A Lifetime!’ (The Huffington Post) from the #1 magician in the world.
Coming off intensive shoulder surgery in January, Angel will invite the World’s Greatest Magic!ans and specialty acts to be a part of his newest production, MAGICjam, a compilation magic variety production that will take place during his rehabilitation period. MAGICjam, created and hosted by Angel, will present an anthology of the greatest acts and will spotlight select cast members from Angel’s current hit SPIKE TV show, also titled “Criss Angel BeLIEve,” including female magician Krystyn Lambert, comedian-illusionist Nathan Burton and Banachek, the world’s premier mentalist. The lineup will also include grand master manipulators Jason Byrne and Tony Clark, the hilarious Russ Merlin, and the world’s best close-up artist Armando Vera. Angel will play host to his friends in addition to closing the show with some of his revolutionary illusions. Guests’ minds will be blown as they witness the impossible in the most exciting variety showcase, featuring the best-of-the-best for this once-in-a-lifetime limited engagement. Criss Angel MAGICjam will perform in the CRISS ANGEL Believe theater at Luxor Las Vegas throughout the months of February and March 2014; CRISS ANGEL Believe will return to the Luxor in April 2014.
Buy Tickets: Click Here
Banachek featured on the Joe Rogan show I was featured on can be seen by clicking on: Joe Rogan questions everything
or if you want to watch the entire episode watch below, Banachek enters at 23.24 in
Show is edited to only show Banachek’s participation
Banachek appeared on THIS IS MAGIC on MBC in South Korea Dec 2012. Despite telling people at home Banachek IS NOT PSYCHIC people at home were told that their silverware would bend as well. Turns out they did.
click here to see pictures of some of the results.
There is also a video teaser (sorry about the advert that comes on first but that’s the price of admission) for the show at:
and one at: http://bit.ly/10Df1tA
Published online at : http://bit.ly/LbLDDB
Banachek’s The Alpha Project and the One-Person Theater Show
By Joe Culpepper |
July 4, 2012 Reviewed in this essay: Banachek’s The Alpha Project, The Fleck Dance Theatre, Luminato Festival, 8-10 June 2012
Do certain individuals have the ability to see the future, to read the thoughts of others, or to communicate with the spirit world? Whatever your answers to these questions might be, in his show The Alpha Project an extraordinary performer named Banachek invites spectators into a universe where such superhuman feats are possible. At least, this is true for the first half of his one-man performance, which recently finished its world premiere.
The initial fifty minutes of Banachek’s show are filled with demonstrations of his uncanny psychic powers. Impossible displays of thought transmission, telepathy, second sight, spirit channeling, and even spirit possession are not only performed live, but are also experienced by a wide selection of audience members who are asked to participate onstage. Banachek does not hesitate to directly involve the most critical skeptics in the room and his effects leave them baffled. One of the highlights for me on opening night was the response of another reporter. When Banachek, whose eyes had been duct-taped shut and covered with a steel mask, divined the personal item that this journalist held concealed between his hands (a silver ring), an expression of profound, even disturbed, bewilderment settled into his face.
Fortunately for him, and for any audience members disconcerted by hints that supernatural powers might be real, Banachek begins the second half of his show with a twist never made explicit in The Alpha Project’s programme – he announces that everything he is doing is an illusion. We learn that the title of his show references “Project Alpha” an elaborate hoax undertaken in 1979 in which an eighteen-year-old Banachek and his collaborators duped scientists at Washington University into verifying their psychic abilities. From this point forward, his effects illustrate how the scientists were fooled, how he turns unusual cultural rituals like past life regressions into magic routines, and how many of his stunts (like being buried alive) are expressions of the human desire to cheat death by superhuman means.
This last half of The Alpha Project is at once the most fascinating part of the performance and the part that left me wanting a more brutally honest piece of magic theatre. I say this, because I passionately love and respect the art of magic. I truly believe that a full-length evening show by a magician of Banachek’s caliber has the potential to deliver the kind of raw emotional power and epiphany-evoking human drama that other pieces of theatre do. So I was excited to hear him share some of the intimate details of his life, such as having to take care of himself from the age of nine onward, as meaningful segues between his effects. These kinds of personal revelations are the risks that magicians rarely take, though such disclosures are the essence of the one-person theatre narratives whose most poignant lines and scenes are forever emblazoned in my memory (from Spalding Grey’s Swimming to Cambodia and Lorenzo Pisoni’s Humor Abuse for example). And though I sense that Banachek’s life story contains this kind of emotional power and notice moments in the second half of The Alpha Project where he gestures towards a more profound memoir, the opening night’s performance consistently rushed past these gritty details to get to the next mystifying effect on the set list.
Some of my colleagues may chastise this review, complaining either that it holds magic to an impossibly high dramatic standard or that it asks magic to be a kind of theatre that it simply is not. But I hold fast. Every year for the past three years, Magicana and Luminato have brought world-class magicians to Toronto where their shows compete for public attention and critical acclaim with some of the most daring and prestigious theater being performed anywhere (e.g. Robert Wilson’s Einstein on the Beach and Robert Lepage’s Spades in 2012). The festival and the city are a fine venue for the premiere of a theatrical magic performance that will someday go on to win a Governor General’s, a Drama Desk, or a Tony award. Magic is waiting for the completely fearless one-person show that will take it there. For now, Banachek’s The Alpha Project is a masterful step in the right direction.
Joe Culpepper / www.joeculpepper.com / is an academic scholar, a magic historian, and a performer.